How’s this for a little genre cross-pollinating: Katee Sackhoff of “Battlestar Galactica” fame is guest-voicing a character in the latest episode of “Star Wars: The Clone Wars.”
Sackhoff voices the armored warrior Bo-Katan in “A Friend In Need,” premiering at 7 p.m. Jan. 13 on Cartoon Network. “Iron Man” director Jon Favreau will voice the warlord Pre Vizsla. They are part of the Death Watch, which has been absent since their attempt to take over Mandalore in Season 2. Now they’re stronger and far more dangerous.
In the episode, “Ahsoka Tano is reunited with Lux Bonteri, the handsome young Separatist who opened her eyes to the fact that the war isn’t always black and white. When Lux suddenly barges into a peace conference between Separatists and Republic delegates, he involves Ahsoka in a dangerous search to find justice for his mother’s death. Dave Filoni directed the episode.
Check out the first two videos in the player above for sneak peeks of the episode.
“Escape from Kadavo”
“Slaves of the Republic”
“Kidnapped”
“Carnage of Krell”
“Plan of Dissent”
“The General”
“Darkness on Umbara”
R2-D2 & C-3PO are back
“Shadow Warrior”
“Prisoners”
“Water War”
Season 4 preview
![“Let the music do the talking,” sang Phish vocalist-guitarist Trey Anastasio at the outset of the band’s concert Saturday at the Sphere in Las Vegas. Normally, hearing that advice from a well-disciplined virtuoso who seemingly never tires of the stage and worships the groove would pass without a hint of potential irony. However, given the group was not even one minute into the third of its sold-out four-night stand at the $2.3 billion dome — expressly devised to push sensory boundaries to previously uncharted limits — one couldn’t help wonder how seriously Phish would take its own instruction. Turns out […]](https://www.chicagotribune.com/wp-content/uploads/2024/04/CTC-L-ENT-PHISH-04-e1713888536637.jpg?w=620 "“Let the music do the talking,” sang Phish vocalist-guitarist Trey Anastasio at the outset of the band’s concert Saturday at the Sphere in Las Vegas. Normally, hearing that advice from a well-disciplined virtuoso who seemingly never tires of the stage and worships the groove would pass without a hint of potential irony. However, given the group was not even one minute into the third of its sold-out four-night stand at the $2.3 billion dome — expressly devised to push sensory boundaries to previously uncharted limits — one couldn’t help wonder how seriously Phish would take its own instruction. Turns out […]")
