“House of Cards” star Kate Mara poses for some sexy photos in the March issue of GQ, in which she talks about how she can’t wait to watch the new season of the Netflix hit.
“Before Season One came out, I had seen all the episodes; this year I haven’t, so I’m just as excited to watch it like anyone else,” she told the magazine. “Still, I think it’s just as surprising and addictive. Hopefully, we’ll see.”
Mara plays ambitious reporter Zoe Barnes, who initially had no issues trading sex for scoops from Congressman Frank Underwood (Kevin Spacey). This season, which begins streaming Feb. 14, she and her fellow reporters are hot on the trail of a story that could destroy Underwood, who is continuing his ruthless climb to power.
Mara, who sister is actress Rooney Mara, also talks about growing up in a football-crazed family. Her mom’s side runs the Pittsburgh Steelers and her dad’s family owns the New York Giants.
“We dressed up for Giants games like we were dressing up for church,” she tells GQ.
Check out more Mara photos and the rest of the interview at gq.com. The issue hits newsstands on Feb. 25.
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![“Let the music do the talking,” sang Phish vocalist-guitarist Trey Anastasio at the outset of the band’s concert Saturday at the Sphere in Las Vegas. Normally, hearing that advice from a well-disciplined virtuoso who seemingly never tires of the stage and worships the groove would pass without a hint of potential irony. However, given the group was not even one minute into the third of its sold-out four-night stand at the $2.3 billion dome — expressly devised to push sensory boundaries to previously uncharted limits — one couldn’t help wonder how seriously Phish would take its own instruction. Turns out […]](https://www.chicagotribune.com/wp-content/uploads/2024/04/CTC-L-ENT-PHISH-04-e1713888536637.jpg?w=620 "“Let the music do the talking,” sang Phish vocalist-guitarist Trey Anastasio at the outset of the band’s concert Saturday at the Sphere in Las Vegas. Normally, hearing that advice from a well-disciplined virtuoso who seemingly never tires of the stage and worships the groove would pass without a hint of potential irony. However, given the group was not even one minute into the third of its sold-out four-night stand at the $2.3 billion dome — expressly devised to push sensory boundaries to previously uncharted limits — one couldn’t help wonder how seriously Phish would take its own instruction. Turns out […]")
