RedEye

Concert review: Radiohead at First Midwest Bank Amphitheatre

“It’ll get better with age,” Thom Yorke said, a tongue-in-cheek semi-apology after Radiohead had debuted the song “Full Stop” before a full house at the First Midwest Bank Amphitheatre in Tinley Park, Ill.

Radiohead is one of the more revered bands of the last two decades because they rarely do the expected, and they make a habit of taking chances. They sweat over songs in the studio, then let them marinate, finding their true identity in performance. And so it was Sunday with a batch of tracks from their last two albums, “In Rainbows” (2007) and “The King of Limbs” (2011), as well as newly written songs “Full Stop” and “Identikit.”

The U.K. quintet has gone from a straight-ahead rock combo, loosely associated with the Brit-pop movement of the mid-‘90s, to one that works the boundary between rock and electronic music, melody and noise, pop and the avant-garde. In recent years, the music has acquired a new looseness and swing, putting a syncopation in the step of many new songs and transforming Yorke into a dancing dervish.

The rhythm oil was flowing from the start with two drummers – full-timer Phil Selway joined by tour accomplice Clive Deamer – and Jonny Greenwood and then Ed O’Brien adding percussion. The giddy-up drum fills that sent “There There” spiraling, the twitchy “15 Steps,” the way the drum break split open “Morning Mr. Magpie” – melody often took a back seat to rhythm, and the liberation was felt as well as seen in Yorke’s king-of-limbs flurry of knees, elbows and hips. 

With bassist Colin Greenwood sandwiched between Selway and Deamer, Radiohead flirted with beats that had more in common with dubstep, reggae and electro-funk than the heavier, steadier rhythms of rock. Drum sticks scurried, and at times the groove suggested the abstract funk of Miles Davis’ “Bitches Brew” and Herbie Hancock’s “Sextant.”  

All of which has made for a tough decade for Radiohead fans raised on song-oriented ‘90s albums “The Bends” and “OK Computer,” which were skimmed slightly in Sunday’s set. Most of the material came from the band’s “Kid A”-and-beyond era, where texture and rhythm have dominated. Where are the songs? some might complain. But they’re still hanging around, just not as obvious as before.

The stately piano ballad “Codex” stood out as a dramatic change of pace, a reminder that nobody mourns quite like Yorke. “Karma Police” wrapped a threat inside a bittersweet hymn. A snippet of R.E.M.’s “The One I Love” ushered in “Everything in its Right Place.” But they were the exceptions on a night when the band embraced the physical as much as the cerebral, favoring movement over melancholy. There was the spastic “Lotus Flower,” and the aggression bordering on uncharacteristic macho swagger that gripped “Myxomatosis.” Yorke played air drums during “Little by Little” and even O’Brien was bouncing around the stage during the furious “Idioteque.”

“Full Stop” clipped along like it was trying to race ahead of its competition, while Jonny Greenwood draped ghostly keyboard sounds over the top. “Bodysnatchers” turned three guitars into one big percussive assault, and when Deamer joined Selway on drums about halfway through, the effect was staggering.

“I have no idea who I am anymore,” an affable Yorke cracked during the jokey band introductions. But Radiohead wouldn’t have it any other way. As Sunday reaffirmed, they hate standing still.

greg@gregkot.com

Radiohead set list Sunday at First Midwest Bank Amphitheatre, Tinley Park, Ill.

1. Bloom
2. There There
3. 15 Step
4. Kid A
5. Staircase
6. Morning Mr. Magpie
7. The Gloaming
8. Codex
9. The Amazing Sounds of Orgy
10. Karma Police
11. Reckoner
12. Lotus Flower
13. Myxomatosis
14. Feral
15. Little by Little
16. Idioteque

Encore:
17. Separator
18. Full Stop
19. Bodysnatchers
20. The One I Love (R.E.M. snippet)/Everything in its Right Place

Encore 2:
21. Give Up the Ghost
22. Identikit
23. Weird Fishes/Arpeggi
24. Street Spirit (Fade Out)

Copyright © 2015, RedEye
Related Content
  • Brad Paisley's colorful country thrives at Wrigley

    Brad Paisley's colorful country thrives at Wrigley

    Brad Paisley's cowboy hat, down-home West Virginian accent and narrative themes reinforce his identity as a country artist. But for nearly two hours Saturday at a packed Wrigley Field, the singer's skillful guitar leads showed that, at heart, he's a huge admirer of classic rock. His skillful playing...

  • Concert review: Roger Waters, 'The Wall' at Wrigley Field

    Concert review: Roger Waters, 'The Wall' at Wrigley Field

    Roger Waters has been touring his Pink Floyd-era double-album “The Wall” around the world for the last two years, giving the 1979 warhorse a long, lavish victory lap that landed Friday at Wrigley Field.

  • Where to go to laugh while The Second City undergoes repairs

    Where to go to laugh while The Second City undergoes repairs

    The early-afternoon fire on Aug. 26 that started in the Adobo Grill restaurant next door to The Second City has forced the historic theater to move or cancel all of its performances in their Mainstage, e.t.c and UP Comedy Club theaters until at least Sunday, Sept. 20, which will mark 26 days without...

  • City to offer ticket, tax amnesty program

    City to offer ticket, tax amnesty program

    Faced with pushing through City Council a massive property tax increase and other fees as part of a 2016 budget, Mayor Rahm Emanuel is trying to slightly soften that politically difficult package by offering an amnesty program for people who have unpaid tickets and back taxes they owe the city.

  • O'Hare noise complaints top 2 million for year

    O'Hare noise complaints top 2 million for year

    Complaints about jet noise from O'Hare International Airport topped 2 million during the first seven months of this year — eight times the number filed in all of 2014, the Chicago Department of Aviation said Friday.

  • Second City to move or cancel shows through Sept. 20 after fire

    Second City to move or cancel shows through Sept. 20 after fire

    Second City announced Friday it is moving or canceling all performances scheduled in its Mainstage, e.t.c. Stage and UP Comedy Club theaters through Sept. 20 as the comedy company works to clean up after an extra-alarm fire destroyed its Old Town offices last week, though not the performance spaces.

Comments
Loading
74°